The Ghost LE (which is essentially the lower-end model) was made available a year or so after initial production, and came without the computer options. You could also purchase the 24-channel variety if you were tighter on space.
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The Ghost was made with enough “bells-and-whistles” to necessitate a workflow for music production, audio post-production for TV & Film, and anything in between, all the while putting a state-fair or swanky carnival to shame. The Ghost features an inline design with reversible channel and monitor pathways, a very transparent, transformerless mic preamp, four-band EQ (HI & LO boost/cut, LO-MID & HI-MID are fully parametric), 8 auxes (two of which are stereo - Aux 7 & 8), 8 groups, 4 FX returns, 2 Studio Foldbacks and Talk-back mic, two sets of switchable control room monitor outputs, etc apart from separate Mix A and Mix B summing pathways (you essentially had 64 individual signal pathways in one board). On the slightly-more-than shoestring budgets some engineers and production studios were on, this made the Ghost a no-brainer, not to mention the Ghost’s features are pretty astounding. For a little under $10K, you could take home a brand-spanking-new Ghost 32 channel mixing console, complete with LED meter-bridge and power supply, and still have enough to buy groceries at the end of the day. The Ghost was originally released on the market in 93’ to supply a demand for a large-format mixing consoles that fit within a smaller footprint and had a price-point to match.
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For 17 years now, we’ve fielded enough calls, emails, and impromptu interrogations about Soundcraft gear to sink a battleship… or float it, depending upon whether we’re full of hot air or not… I personally think we’re pretty cool ). And while the number of individual hairs on our knuckles or the length and circumference of our pinky may be useless information (unless we need to pick our nose), our vast depth of knowledge on Soundcraft mixers has proven to be quite the heirloom. That being said: we know Soundcraft consoles. Our President, Gary "Sarge" Gistinger, worked directly with him.
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Our own Vice President of Research and Development and Co-Owner, Alex “Skip” Welti, was the former national service manager for Soundcraft, and oversaw service and quality control for most of their pro level gear that circulated in North America. Harman's offices and service department were situated in Nashville at the time, but when the company decided to uproot and move to California, our crew decided to stick around and fill the niche of Soundcraft service techs in the area. Creation Audio Labs was founded in Nashville, TN in 2003 by former Harman-Soundcraft employees.
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